Photography
Dissertations Completed by Subject, 2018

Show in progress dissertations

Adams, Harrison, “Photography in the First Person: Robert Mapplethorpe, Peter Hujar, Francesca Woodman, Nan Goldin and Sally Mann” (Yale University, K. Mercer)

Barber, Karen, “Writing with Light: Cameraless Photography and Its Narrative in the 1920s” (Graduate Center, CUNY, R. Washton-Long)

Brown, Leslie K., “The Kodak Picture Spot Sign: American Photographic Viewing and Twentieth-Century Corporate Visual Culture” (Boston University, K. Sichel)

Cushman, Carrie, “ Temporary Ruins: Miyamoto Ryûji's Architectural Photography in Postmodern Japan” (Columbia University, J. Reynolds)

Doğan, Cağatay, “Landscapes of the Nation in Transition: Istanbul in the Photographs of Othmar Pferschy, 1934-1960” (Binghamton University, T. McDonough)

Evans, Ariel, ”‘I am for an art’: the struggle of the San Diego group and the Women’s Caucus to reinvent photography in the Society for Photographic Education, 1962-1982” (The University of Texas, C. Smith)

Fuldner, Carl. “Evolving Photography: Naturalism, Art, and Experience, 1889–1909” (University of Chicago, J. Snyder)

Hite, Tessa, “Rebranding the Enemy: American Propaganda and Photography in Postwar Germany” (Boston University, K. Sichel)

Jensen, Hadley, “Shaped by the Camera: Navajo Weavers and the Photography of Making in the American Southwest, 1880-1945” (Bard Graduate Center, A. Glass)

LeBourdais, George Philip, “Tracing The Arctic Regions: Exploring Ice and Time in Nineteenth-Century Photographs of Greenland” (Stanford University, A. Nemerov)

Lee, Anton, “Narrative Forms and Visual Sequences: The New Photography in American Practice and French Discourse, 1968-1989” (The University of British Columbia, C. Soussloff)

Meyer Stump, Ulrike, “Karl Blossfeldt: Variations. A Study in Image Replication” (Princeton University, A. McCauley)

Mustard, Maggie, “ Atlas Novus: Kawada Kikuji's Chizu (The Map) and Postwar Japanese Photography” (Columbia University, J. Reynolds)

Pellolio, Natalie, “Return to Sender: Photography, Art, and the Mail, 1845-1945” (Stanford University, A. Nemerov)

Powers, Alice S., “Intimate Durations: Reimagining Contemporary Indian Photography” (UCLA, S. Mathur)