Concise, critical reviews of books, exhibitions, and projects in all areas and periods of art history and visual studies

Renaissance/Baroque Art
Dissertations in Progress by Subject, 2008

Show completed dissertations

Ajello, Guendalina, “Rione Parione: The Afterlife of an Ancient Roman Cluster of Spectator Buildings” (IFA/NYU, M. Trachtenberg)

Allan, Eva, “The Triumph Theme and Its Variations in Long Renaissance Prints” (Yale, C. Wood, A. Dunlop)

Ambler, William, “The Portrait Workshop at the Court of Philip III of Spain (1598–1621” (IFA/NYU, J. Brown)

Amott, David, "Temples of Faith, Agents of Empire: The Colonial Churches of Mariana, Minas Gerais" (Delaware, M. Domínguez Torres)

Anderson, Elissa, “Re-forming Mary in Seventeenth-Century Dutch Prints” (Kansas, L. Stone-Ferrier)

Anderson, Laura, “Artistic Exchange and Collaboration in Early Modern Haarlem” (Penn State, C. Houghton)

Aube, Christina, "Michel de Marolles and the Rise of Printmaking in the Grand Siècle" (Delaware, D. Stone)

Backus, Irene, “Imaging Asia: Perceptions of China in Renaissance Florence” (Chicago, R. Zorach)

Bailey, Meryl, “Darkness into Light: Charity, Violence, and the Art of Venice’s Scuola di San Fantin” (UC Berkeley, L. Partridge)

Baines, Lorena, “Nicolaes de Bruyn and the Art of the Professional Engraver in the Seventeenth Century” (Delaware, P. Chapman)

Bark, Julianna, “Jean-Etienne Liotard (1702–1789): The Artist in International Perspective” (IFA/NYU, M. Westermann)

Barrett, Kerry, “The Artful Hand: Pieter Claesz Soutman’s Style in the Seventeenth-Century Netherlands” (IFA/NYU, M. Westermann, E-H. Begemann)

Bell, Esther, “Charles-Antoine Coypel: Painting and Performance in Eighteenth-Century France” (IFA/NYU, M. Westermann, M. Ledbury)

Benay, Erin, “The Pursuit of Truth and the Doubting Thomas in the Art of Early Modern Italy” (Rutgers, C. Puglisi)

Bensoussan, Nicole, “Casting a Second Rome: Primaticcio's Bronze Copies and the Fontainebleau Project” (Yale, C. Wood)

Bentkowski, Sebastian A., “The Artistic and Architectural Patronage at the Court of Alessandro de’ Medici (1531–1537): Strategies of Representation and Legitimation” (UT Austin, L. Waldman)

Boeye, Kerry, “Judging Solomon: King Solomon and the Politics of Representation in French Gothic Sculpture, 1130–1380” (Chicago, L. Seidel)

Boffa, David, “Artistic Identity Set in Stone” (Rutgers, S. McHam)

Bourla, Lisa, "Cigoli's Naturalism: Florentine Seicento Art and Science in the Service of Academic Pedagogy" (Pennsylvania, M. Cole)

Boychuk, Joan, "Print Culture at the Court of Emperor Rudolf II: Portraiture, Inscription, and Translation" (University of British Columbia, B. Wilson)

Bracken, William, “Rembrandt in the 1630s: Dialogues and Competitive Environment” (IFA/NYU, E. J. Sluijter, M. Westermann)

Brisman, Shira, “Scribal Communication and the Work of Art in the Age of the Printing Press, 1490–1534” (Yale, C. Wood)

Brown, Michael, “Portraiture in New Spain and the Spanish Caribbean: History and Development of a Colonial Tradition” (IFA/NYU, J. Brown)

Budny, Virginia, “Benedetto da Maiano and His Workshops” (IFA/NYU, M. Trachtenberg)

Byron, David, "The Visual and Social Strategies of German Propaganda Broadsheets, 1608–1621" (Yale, C. Wood)

Cadero-Gillette, Jennifer, “Collecting Art and Constructing History: The Recovery of Medieval Panel Painting circa 1800” (Harvard, J. Koerner)

Cantor, Sarah "Landscape Painting in the Circle of Nicolas Poussin" (Maryland, College Park, A. Colantuono)

Carson, Rebekah, “Andrea Riccio’s Della Torre Tomb Monument and Antiquarianism in Padua and Verona” (Toronto, A. Nagel)

Chehab, Krystel, "The Politics of Realism: Still Life and Polychrome Sculpture in Seventeenth-Century Spain" (University of British Columbia, B. Wilson)

Chien, Letha. "Tintoretto's San Marco Cycle" (UC Berkeley, T. Olson)

Churchill, Derek, "Replication in the Early Netherlandish Tradition: Dieric Bouts and His Copyists" (Yale, C. Wood)

Ciejka, Jason, “Rare Harmony: The Architecture and Music of Carlo Rainaldi (1611–1691)” (Emory, S. McPhee)

Compton, Rebekah, "A Cultural Icon: The Currency of Venus in Sixteenth-Century Florence" (UC Berkeley, L. Partridge)

Cook, Kelly D., "Sex and Stones: The Visual Grotesque in Early Modern France" (Cornell, C. Lazzaro)

Corradino, Christopher, “The Life and Work of Giovanni Mansueti” (IFA/NYU, C. Eisler)

Corretti, Christine, “Benvenuto Cellini and the Loggia dei Lanzi: Configurations of the Body of State” (Case Western Reserve, E. Olszewski)

Coutré, Jacquelyn, “Jan Lievens, Ambition, 'Influence,' and Originality in the Seventeenth-Century Netherlands” (IFA/NYU, M. Westermann)

Cree, Sarah, "Taddeo di Bartolo and the Uses of the Past in Early Quattrocento Painting" (Yale, A. Dunlop)

Cuenot, Nicole, “The Force of Flowers: Bringing the Outdoors in at Versailles” (Columbia, D. Freedberg)

Daiman, Marina, “Copying, Inventing, and Recycling in Rubens” (IFA/NYU, M. Westermann)

Damen, Gaida, “The Trade in Antiquities between Italy and the Eastern Mediterranean (ca. 1400–1600)” (Princeton, P. Brown)

David, Margaret Diane, "Francesco Mochi, Sculptor (1580–1654)" (Columbia, D. Rosand)

Davies, Gregory, “Playing with Fire: Caricature and Its Epistemology in Baroque Italy” (Toronto, P. Sohm)

Depalma, John-Mark, "Jesuit Architecture" (Brown, C. Zerner)

Dillman, Cynthia, “The Self in Relation: Anthony Van Dyck’s English Friendship Portraits” (UC Berkeley, E. Honig)

Dujakovic, Maja, "On Books and Death: The Danse Macabre Printed Books in the Fifteenth Century" (University of British Columbia, C. Knicely)

Elliot Beatty, Susan, “Alexander VII, Bernini, and the Cappella del Voto in Siena” (Toronto, E. Levy)

Elston, Ashley, “Storing Sanctity: Sacristy Reliquary Cupboards in Late Medieval and Renaissance Italy” (Kansas, S. Cornelison)

Estevez, Lisandra, “The Image of the Painter in the Age of Calderón de la Barca (1600–1681)” (Rutgers, C. Puglisi)

Evans, Allison, “Structure and Success: The Antwerp Tapestry Market in the 1500s” (Duke, H. Van Miegroet)

Finocchio, Ross, “Henry Clay Frick, the Collector” (IFA/NYU, J. Brown)

Fletcher, Francis, "Mantegna's Fictive Reliefs: Painting as Moral Philosophy and the Humanist Language of Historical Inquiry in the Renaissance" (Rutgers, S. McHam)

Ford, Suzan, “Bernini's Tomb of Urban VIII in St. Peter's: A Study of Art and Papal Power in the Context of the Counter-Reformation" (Rutgers, T. Marder)

Gardonio-Foat, Casey, “Seventeenth-Century Professional Women Artists in Spain and Portugal” (IFA/NYU, J. Brown)

Geddes, Leslie, “Leonardo da Vinci and the Art of Water” (Princeton, J. Pinto)

Geschwind, Rachel, “Saving Grace/Saving Face: Magdalene Imagery and Prostitution Reform in Venice and Rome, 1500–1700” (Case Western Reserve, E. Olszewski)

Giviskos, Christine, “Abraham Bosse and the Fine Art of Printmaking” (IFA/NYU, M. Westermann)

Glass, Robert, “Filarete and the Taste for the Antique in Mid-Fifteenth Century Rome” (Princeton, P. Brown, L. Barkan, J.Pinto)

Graham, Heather Sexton, “Affecting Bodies: Guido Mazzoni’s Lamentations in Context” (UCLA, J. Woods-Marsden)

Greist, Alexandra, "Learning to Draw, Drawing to Learn: Seventeenth-Century Italian Printed Libri di Disegno" (Pennsylvania, M. Cole)

Hammerschmidt, Jennifer, "Towards a New Medieval Subjectivity: Rogier van der Weyden and the Art of the Carthusians" (UC Santa Barbara, M. Meadow)

Hand, Joni, “Female Book Owners in the Burgundian Court, 1350–1550: Books of Hours as Vehicles of Identity” (CUNY, B. Lane)

Hanson, Kate Heckmann, “Visualizing Culinary Culture in Seventeenth-Century Florence and Parma” (USC, E. Howe)

Havenstein, Kenneth, "Choreography and the City: The Politics of Dance Imagery Included in Ambrogio Lorenzetti's Good Government Fresco, Palazzo Publicco, Siena" (SUNY Binghamton, K. Barzman)

Henry, Chriscinda, “Rustics, Buffoons, and Courtesans: Low Painting and Venetian Renaissance Culture” (Chicago, C. Cohen)

Hernandez-Ying, Orlando, “Angels in the Americas: Paintings of Apocryphal Angels in Spain and Its American Viceroyalties” (CUNY, E. Quiñones-Keber)

Herrin, Amanda, “Picturing Origins: Visual Exegesis in Northern European Art from Bosch to Brueghel” (IFA/NYU, M. Westermann)

Hillard, Caroline, "An Alternate Antiquity: The Etruscans in Renaissance Florence and Rome" (Washington University, W. Wallace)

Hoare, Alexandra, “Amico vero: Salvator Rosa, Friendship, and the Formation of an Artist’s Identity” (Toronto, P. Sohm)

Horton, Heather, “The Problem of Theory, Practice, and Authorship in Alberti” (IFA/ NYU, M. Trachtenberg)

Huckins, Pamela, “Furnishing the Northern Frontier: The Sacred Decoration of the California Mission Churches” (IFA/NYU, J. Brown)

Hung, Karen, “The Master of the Parallel Folds: Hans Thoman of Memmingen and the Sculptors of Upper Swabia (1500–1550)” (IFA/NYU, C. Eisler)

Hunt, Hilary, "Legacy of a Court Artist: Engravings after Giulio Romano" (Johns Hopkins, S. Campbell)

Iarocci, Bernice, “The Santissima Annunziata of Florence and the Reception of Sacred Images during the Counter-Reformation Period (Toronto, P. Sohm)

Ilchman, Frederick, "Tintoretto's Judgment: Artistic Ambition in Counter-Reformation Venice" (Columbia, D. Rosand)”

Imbrey, Jai, “Fictive Frame and Image in Northern Italian Quattrocento Painting” (IFA/NYU, C. Eisler)

Isard, Katherine, “Scritti secondo Vitruvio: Vincenzo Scamozzi and Reading as Architectural Practice in Sixteenth-Century Italy” (Columbia, D. Rosand, F. Benelli)

Ivancovich, Kimberly, “Under the Shadow of Florence: Sienese Art Production during Early Medici Rule” (Penn State, B. Curran)

Jacobi, Lauren, “The Architecture and Urbanism of Banks in Early Modern Italy, ca. 1400–1600” (IFA/ NYU, M. Trachtenberg)

Jakobiec, Katarzyna, “Zamosc as Città ideale: Architecture and the Mechanics of Building in Early Modern Poland” (Toronto, C. Anderson)

Johnson, Rachel, "Suburban Bruegel: Chorography and Rhetoric in Pieter Bruegel’s Series of the Months" (UC Santa Barbara, M. Meadow)

Johnston-Keane, Kathy, “Caravaggio’s Drama: Art, Theater, Literature, and Religion during Italy’s ‘Spanish Age’” (Pittsburgh, A. Sutherland Harris)

Jones, Tanja, “Pisanello’s Medals for Ludovico Gonzaga of Mantua: Dynasty, the Relic of the Holy Blood, and Crusade” (Florida State, J. Freiberg)

Karafel, Lorraine, “Mythology and Metamorphoses: Woven Grotesques for the Vatican Palace” (IFA/NYU, C. Eisler)

Karentzos, Loukas, “Court and Countryside: Central Italian Villas of the Mid-Sixteenth Century” (Princeton, J. Pinto)

Kawase, Yusuke, “Jusepe de Ribera and His Workshop in Naples, 1616–1652: Its Function and Practice” (IFA/NYU, J. Brown)

Keating, Jessica, “The Machination of German Court Culture: Early Modern Automata” (Northwestern, C. Swan)

Kelly, Jessen, "Renaissance Futures: Chance, Prediction, and Play in Northern European Visual Culture, ca. 1480–1550" (UC Berkeley, E. Honig)

Kemling, Michael P., “The Portraits of Michelangelo, 1506–1570” (Georgia, S. Zuraw)

Kemp, Jamie, “Knowing Norms: Epistemology and Visual Rhetoric in Medical Diagrams from the Dawn of the Scientific Revolution” (University of Victoria, C. Harding)

Kennedy, Trinita, “Pandolfo Petrucci’s Patronage at the Osservanza: A Study in Political and Religious Crisis in Renaissance Siena” (IFA/NYU, K. Weil-Garris Brandt)

Keogh, Kristina, “The Visual Rhetoric of Incorruptibility: The Praesentia of Female Saints in Post-Tridentine Italy” (Virginia Commonwealth, F. Jacobs)

Kilroy, Lauren, “Dissecting Bodies, Creating Cults: Imagery of the Sacred Heart of Jesus in New Spain” (UCLA, C. Villaseñor Black)

Kim, David, "Artifex Viator: Artistic Travel and Geography in Renaissance Italy" (Harvard, A. Payne)

Kim, Il, "The Cult of Light in Fifteenth-Century Italian Renaissance Architecture" (Columbia, J. Connors)

Kim, Jennie, “Tradition, Theory, and Practice: Changing Functions of Drawings in the Italian Renaissance Workshop; From Pietro Perugino to the Pupils of Raphael” (CUNY, J. Saslow)

Kim, Sohee, “Jacques le Moyne de Morgues (ca. 1533–1588) and the Origins of the Early Netherlandish Flower Still Lifes” (Maryland, College Park, A. Wheelock)

Kotani, Noriko, “Jesuit Missions and Nanban Art” (Princeton, T. Kaufmann)

Kozlowski, Sarah, "Intersections of Icon and Portrait in Fourteenth- and Fifteenth-Century Naples" (Yale, C. Wood)

Kyle, Sarah R., “The Carrara Herbal in Context: Imitation, Exemplarity, and Invention in Late Fourteenth-Century Padua” (Emory, J. Campbell)

Lakey, Christopher, "Relief in Perspective: Medieval Italian Sculpture and the Rise of Optical Aesthetics,” (UC, Berkeley, W. Davis, J. Jung)

Lehman, Geoff, "Perspective and the Renaissance Landscape" (Columbia, D. Rosand)

Lentz, Edwin Lamar, “Imaging Knowledge in the Art of Breugel and Ortelius” (UT Austin, J. Chipps Smith)

Leyva-Gutierrez, Niria, “Fernandez de Santa Cruz y Sahagun: Prelate and Patron of Pueblo in the Seventeenth-Century” (IFA/NYU, J. Brown)

Liu, Chen, “The Formation of the Architect in Early Modern Italy” (Princeton, J. Pinto)

Lloyd, Karen, “Altieri Patronage and Adoption in Early Modern Rome (1670–1710)” (Rutgers, T. Marder)

Lobis, Victoria Sancho, “Artistic Training and Print Culture in the Time of Rubens” (Columbia, D. Freedberg, D. Rosand)

Long, Rebecca, ‘Bartolomé Carducho and Italian Artists at the Spanish Court, 1580–1621” (IFA/NYU, J. Brown)

Lugli, Emanuele, “Pietre di paragone: The Production of Spatial Order in the Twelfth-Century Lombard City” (IFA/NYU, M. Trachtenberg)

Lyon, J. Vanessa, “Staging Catholic Triumph: Rubens, Velázquez, and the Allegorical Tradition in Habsburg Madrid, 1625–1665” (UC Berkeley, E. Honig)

Mangone, Carolina, “Bernini/Michelangelo: Michelangelo as Exemplum in the Work and Biographies of Gianlorenzo Bernini” (Toronto, E. Levy)

Martin, Annabeth, “The Religious Works of Lorenzo Costa, Painter to the Bentivoglio” (IFA/NYU, K. Weil-Garris Brandt)

May, Rose Marie, “The Church of San Giacomo degli Spagnoli and the Formation of Spanish Identity in Sixteenth-Century Rome” (Temple, M. Hall)

Mayhew, Robert, "Law, Commerce, and the Rise of New Imagery in Antwerp, 1500–1550" (Duke, H. Van Miegroet)

McIntosh, Laurentia, “Seventeenth-Century Dutch Still-Life Painter Maria van Oosterwych” (Wisconsin, Madison, J. Hutchison)

McReynolds, Dan, “Policing the Palladian Canon: Redefining the Palladian Legacy in Eighteenth-Century Venice” (Princeton, J. Pinto)

Moran, Sarah, “The Visual Culture of Flemish Beguinages, 1585–1700” (Brown, J. Muller)

Morford, Michael, “Carving for a Future: Baccio Bandinelli Securing Medici Patronage through His Mutually Fulfilling and Propagandistic Hercules and Cacus” (Case Western Reserve, E. Olszewski)

Murray, Xiomra, “Before the ‘Mellon Gallery’: Toward an American National Gallery of Art, 1816–1937” (IFA/NYU, C. Eisler)

Nabi, Elizabeth McMahon, “Fra Bartolomeo’s Maniera: Painting and Devotion in Early Sixteenth-Century Florence” (Virginia, F. Fiorani)

Nalezyty, Susan, "Il collezionismo poetico: Cardinal Pietro Bembo and the Formation of Collecting Practices in Venice and Rome in the Early Sixteenth Century" (Temple, T. Cooper)

Napolitano, Elena Cristina, “Come una Cittadella: Urban Strategy and the Vision of French Nationhood in Rome, 1660–1700” (Toronto, E. Levy)

Neilson, Christina, "Verrocchio's Factura: Making and Meaning in an Italian Renaissance Workshop" (Johns Hopkins, C. Dempsey)

Nelson, Jennifer, “Talismans of Art and the Combinatoric Mode in Northern Europe, 1510–1555” (Yale, C. Wood)

Nero, Frank P., “Healing the Body and Healing the State in Sixteenth-Century Pistoia: The Façade of the Ospedale dei Ceppo” (Florida State, J. Freiberg)

Neumann, Elisabeth, “Imagining European Community: Continental Allegories in the Netherlands, 1560–1600” (Toronto, E. M. Kavaler)

Nguyen, Kim-Ly, “Mimesis in North Italian Painting of the Late Cinquecento: Still Life, Genre, and the Politics of Style” (Columbia, D. Rosand, D. Freedberg)

Nogrady, Elizabeth, “Abraham Bloemaert, Artistic Collaboration, and the ‘Netherlandish Academy’ in Seventeenth-Century Utrecht” (IFA/NYU, M. Westermann)

Nolan, Linda, “The Tactile Reception of Sculpture in Early Modern Rome” (USC, T. Olson)

Nolin, Heather, “Political Authority and Religious Reform: Artistic Commissions at San Giorgio in Braida, Verona, 1426–1668” (Rutgers, S. McHam)

Nutting, Catherine, “The Stoic Baroque: Ruben’s Art Theory and Hercules at the Crossroads” (University of Victoria, E. Campbell)

Nygren, Christopher J., "Titian’s Artistic Icons: Venetian Religious Paintings between Theology and Devotion" (Johns Hopkins, S. Campbell)

Odde, Laurent, “La Nouvelle Artémise: Catherine de’ Medici, Queen of France and Patron of the Arts” (CUNY, J. Saslow)

Olah, Iva, “Magic and Memory in the Florentine Picture Chronicle and 15th-Century Italian Print Culture” (Chicago, R. Zorach)

O’Leary, Heather, "‘Viva Bacco e Viva Amore’: Bacchic Imagery in the Renaissance" (Columbia, D. Rosand)

Olson-Rudenko, Jennifer, “Francisco de Zurbarán’s Paintings for the Calced and Discalced Mercedarians in Seville” (Penn State, B. Curran)

Onafuwa, Obayemi, "Bruegel's Vernacular Bodies" (Columbia, D. Freedberg, K. Moxey)

Packard, Arianna, “Antiquarianism and the Creation of the Catafalque of Paul V” (Columbia, D. Rosand)

Packer, Michelle, "'Aenschouwer, siet hoe alle dingh verkeeret!': Envisioning Change in the Seventeenth-Century Dutch Cityscape" (UC Santa Barbara, A. Adams)

Panbehchi, Michael, “History Painting and the Battles of Alexander Farnese in Colonial Latin America” (Virginia Commonwealth, M. Schreffler)

Park, Soo-yeon, “Crucifixion with the Virgin Mary and Saint John” (Wisconsin, Madison, J. Hutchison)

Pereira, Mario, ‘Novas Novidades’: Collecting Luxuria at the Portuguese Court, ca. 1450–1521” (Brown, E. Lincoln)

Piotrowska, Anna, “The Early Career of Carle Vanloo (1705–1740): Training and Practice in the Capitals of Europe” (IFA/NYU, C. Bailey, M. Westermann)

Pokphanh, Roberta, "The Proceeds of Prosperity: Images of Money Management and Exchange in Dutch Genre Painting in the Middle of the Seventeenth Century" (Kansas, L. Stone-Ferrier)

Poska, Olivia, “Adriaen van de Venne’s Speaking Pictures: Patronage, Pictorial Literacy, and Workshop Practice in an Age of Print” (Michigan, C. Brusati)

Powell, Olivia, “The Choreographic Imagination in Renaissance Art” (Columbia, D. Rosand)

Pritchard, Shannon, “Giambologna’s Narrative Relief Sculpture and the Paragone: A Re-assessment of the Relationship between Painting and Sculpture in Late Sixteenth-Century Florence” (Georgia, S. Zuraw)

Proctor, Anne, “Vincenzo Danti as Artist-Courtier to the Medici” (UT Austin, L. Waldman)

Purvis, Betsy Bennett, “Palpable Politics and Embodied Passions: Terracotta Tableau Sculpture in Italy, 1450–1550” (Toronto, P. Sohm)

Rawlings, Kandice, “Liminal Messages: The Cartellino in Italian Renaissance Painting” (Rutgers, S. McHam)

Reed Frederick, Amy, “Rembrandt’s Etched Sketches and Seventeenth-Century Print Culture” (Case Western Reserve, C. Scallen)

Riggs, Marion, “Giuseppe Barberi (1746–1809): Architectural Narratives and Cultural Dynamics in Late Eighteenth-Century Rome” (Princeton, J. Pinto)

Ripolles, Carmen, “Constructing the Artistic Subject in Golden Age Spain,” (UIUC, L. Rosenthal)

Rislow, Madeline, “Dynamic Doorways: Overdoor Sculpture in Renaissance Genoa” (Kansas, S. Cornelison)

Rodriguez-Negron, Iraida, “Queens of the Spanish Golden Age: Iconography and Patronage of Isabella of Bourbon (1603–1644) and Mariana of Austria (1635–1696)” (IFA/NYU, J. Brown)

Roman, Dulce, "Rubens and the Emergence of High Baroque Style in Spanish Painting" (Columbia, D. Freedberg)

Rossi, Nassim, “Depicting the Sultan: Conflict and Representation in Renaissance Portraits of the Other” (Columbia, D. Rosand)

Rudolphi, Adam, "Ornament and Amplification in Painted Vaults of the Later Renaissance" (Maryland, College Park, A. Colantuono)

Rutherglen, Susannah, “Cabinet Pictures of Renaissance Venice” (Princeton, P. Brown)

Sakai, Jennifer, "Amsterdam in Ruins: Counternarrative and the Representation of Urban Space, 1648–1700" (UC Berkeley, E. Honig, D. Grigsby)

Sandlin, Julianne Parse, “Religious Orders and Catholic Reform: Parisian Churches during the Reign of Louis XIII” (Florida State, R. Neuman)

Scanlan, Suzanne, “Doorways to the Demonic and Divine: Visions of Santa Francesca Romana and the Frescoes of Tor de’ Specchi” (Brown, E. Lincoln)

Scappini, Chiara, “History, Preservation, and Reconstruction in Siena: The Fonte Gaia from Renaissance to Modern Times” (Rutgers, T. Marder)

Schmid, Vanessa, “Portraiture and Community in Amsterdam, 1650–1672” (IFA/NYU, E-H. Begemann, M. Westermann)

Schneider, Lindsey, “The Late Career of Pietro da Cortona and Roman Baroque Painting after 1650” (IFA/NYU, K. Christiansen, J. Brown)

Shay Millea, Mary, “Visualizing the Desired: The Petrarchan Lover Portrait in Renaissance Italy” (Rutgers, S. McHam)

Shenouda, Monica, "The Image of Alexandria in Venice and Gentile Bellini's St. Mark Preaching in Alexandria" (Virginia, C. Brothers)

Sheridan, Victoria, “Ornaments of Style in Venetian Baroque” (Toronto, P. Sohm)

Silva, Joseph, "Thuscorum et Ligurum Securitati: Cosimo I's Visual Program for the Naval Knighthood of Saint Stephen in Florence and Pisa" (Brown. E. Lincoln)

Sizonenko, Tatiana, "Artists as Agents in Venice: Artistic Exchange and Cultural Translation with the Mamluks, Constantinople, and Moscow, 1400–1500" (UC San Diego, J. Greenstein)

Sjøvoll, Therese, “Queen Christina of Sweden's Musaeum: Collecting and Display in the Palazzo Riario” (Columbia, D. Freedberg, D. Rosand)

Sliwka, Jennifer, "Domenico Beccafumi and the Politics of Devotion in Sixteenth-Century Siena" (Johns Hopkins, S. Campbell)

Smith, Sharon C., “Planned Grandeur: A Comparative Study of Urban Expansion in Early Modern Italy and Mamluk Egypt” (SUNY Binghamton, C. Burroughs)

Sohn, Sooyun, “Jan Luyken's Het Leerzaam Huisraad (1711)” (Wisconsin, Madison, J. Hutchison)

Stacy, Christina, “Veri Ritratti: Pietro Longhi and Genre Painting in Eighteenth-Century Venice” (Princeton, P. Brown)

Stewart, Jessica, "The Sketch as a Site of Invention in Late-Quattrocento Florence" (Virginia, F. Fiorani)

Stone, Linda Gail, “The Devil’s Women: Witches in Early Modern Art” (Toronto, E. M. Kavaler)

Streule, Wendy, “Objects of Desire: The Production and Consumption of Erotic Images in 17th-Century Holland” (Rutgers, C. Puglisi)

Suffern, Erika, “Domesticity Made Small: Miniaturization in Dutch Art, 1650–1720” (Delaware, P. Chapman)

Sutton, Elizabeth A., “The Art of Ethnology: Competition, Collaboration, and Classification in the Illustrated Travel Series of Cornelis Claesz” (Iowa, J. Hochstrasser)

Swanson, Susan, "The Work of the Magi: Adoration Imagery and Visions of Globalization in Early Modern Europe" (Minnesota, M. Gaudio)

Swartwood, Anna, “‘Singular Skill and Beauty’: Antonello da Messina between North and South” (Princeton, P. Brown)

Switzer, Sara, “Correggio and the Sacred Image” (Columbia, D. Rosand, D. Freedberg)

Taschian, Helen, "Naturalism and Libertinism in Seventeenth-Century Italian Painting" (UC Santa Barbara, R. Williams)

Tice, Lisa Neal, “Casini in Late Sixteenth- and Early Seventeenth-Century Rome: The Revival of Pliny's diaeta in Villa Architecture” (Rutgers, T. Marder)

Tokumitsu, Miya, “The Sculpture of Leonhard Kern (1588–1662)” (University of
Pennsylvania, L. Silver)

Tom, Lisa, “Negotiating Masculinities and Martial Identities in Early Modern Italian Portraiture” (Brown, E. Lincoln)

Treanor, Virginia, "Amalia van Solms and the Formation of the Stadhouder's Art Collection, 1625–1675" (Maryland, College Park, A. Wheelock)

Tsoumis, Karine, “Family Portraits: Social Realities and Ideologies of Domestic Life in Early Modern Venice” (Toronto, P. Sohm)

Uchacz, Tianna, “Dialogue and Dialect in Netherlandish History Painting, ca. 1540–1580” (Toronto, E. M. Kavaler)

Urban, Emily, "The Sala Bologna in the Vatican Palace: Art and Astronomy in Counter-Reformation Rome" (Rutgers, T. Marder)

Valiela, Julia, “Identity and Ideals: Problems in Sculptural Busts of Women in Renaissance Italy” (IFA/ NYU, K. Weil-Garris Brandt)

Veith, Jessica, “Jan de Braij in Perspective” (IFA/NYU, M. Westermann)

Vusich, Jannette, "Divinus Amor Extasim Facit: Fra Bartolommeo and Mysticism in Renaissance Florence" (Johns Hopkins, S. Campbell)

Watkins, Catherine, “Rembrandt’s 1654 Life of Christ Prints: Experimentation, Tradition, and the Question of Series” (Case Western Reserve, C. Scallen)

White, Veronica, “Sero Ludere: Baroque Invenzione and the Development of the Capriccio" (Columbia, D. Freedberg, D. Rosand)

Whittemore, Leila, "Theory, Practice, and the Architectural Imagination: Filarete's Treatise on Architecture and Early Sforza Urbanism, 1450–1464" (Columbia, J. Connors)

Wilkins, Sarah, "She Loved More Ardently than the Rest: The Magdalen Cycles of Late Duecento and Trecento Italy" (Rutgers, S. McHam)

Wolken, Christine, “A Profile of Women in Sixteenth-Century Italy: Women and Their Commemorative Medals” (Case Western Reserve, E. Olszewski)

Wouk, Edward H., "Reassessing the Flemish Raphael: The Graphic Work of Frans Floris" (Harvard, H. Zerner)

Yerkes, Carolyn, “The Paradox of Precision: Architectural Drawing between Ancients and Moderns” (Columbia, H. Ballon)

Zillman, Molly, “Magdalene van de Passe, Geertruydt Roghman, and the Example of Seventeenth-Century Netherlandish Female Printmakers” (Delaware, P. Chapman)

Zukerman, Laura, “Pages of Memory: Paper Travel in Renaissance Europe, 1480–1600” (Princeton, P. Brown)